THE CLEANSING OF CONSTANCE BROWN presented by STAN'S CAFE
@ A E Harris, 1st - 19th March, 18.30 & 20.30 (running time 70min)
(no perfs. Sundays or Mondays)
TICKETS FOR ALL SHOWS ARE NOW AVAILABLE VIA THE MAC BOX OFFICE
A twelve hour long theatre show devised and performed by third year performing
arts students of De Montfort University, based at Melton Mowbray College, under
the direction of Craig Stephens and James Yarker from Stan's Cafe.
Stan's Cafe got a call from Plane Performance late in 1997...
would we be interested in taking over the supervision of a project
they could not complete due to illness?
The two major elements
already in place which we retained were the title, "Nightshifting",
and the duration... 12 hours. From there on it was up for grabs.
From this starting point we worked with the team constructing a series of strands,
strategies and structures for getting both them and the audience through the night.
What resulted was a free wheeling, half chaotic, strangely intense night.
Sometimes the material was dreadful and occasionally, especially when consumed by
fatigue, a little inspired. By the time 8am came round we felt wedded to the cast
through some shared experience. It was almost enough to send us scurrying off to
read Richard Schechner again.
The aesthetic and ambition is best summed up in the words of a disparate,
argumentative and ultimately charming performance team and their
programme notes (see below).
The following year we were invited back to start a project from
scratch with the next year's Third Year's performing arts students
at Melton College, this piece became The Hearing of Susan Tuesday.
Programme Notes
Because of the character of the contract we have entered
into, the rules one would normally associate with the theatre
will not necessarily apply here tonight. Due to the nature of
the performance, it is not required that you watch this show as
you would watch any other piece of theatre. This is no
"any other piece of theatre."
It was developed around the structure of
"A Midsummer Nights Dream" [...] Shakespeare's
play weaves its way through the performance, and
through the night. The concepts concerning vigils
and rituals also appear [...].
This evening's
performance was also developed around the reality of twenty-four hour
television programming. Colloquially, this means that we have taken the
genres one is able to find on television throughout the night, and transferred
them into a theatrical format. The performance is also based around life, what
an average person might be found doing over the course of the twelve hours [...].
This evening offers you the privileged position of being a spectator into
the transition between process and performance. These elements will not tonight,
be separated and will be observed concurrently.
Devised and Performed, with lighting designed and sound mixed by:
Penny Clark
Jo Corbett
Alan Dillon
Mark Frisby
Rae Grant
Claire Harris
Sally Harris
Paul Harrison
Kate Howe
Zoe Hume
Gill Kime
Nichola Miles
Kay Sarah Morgan
Allyah Saddique
Stephanie Tavernier
Kate Williams
Directed by Craig Stephens and James Yarker