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The Anatomy Of Melancholy: Episode 28

Tuesday, July 28th, 2020


This version is captioned, a non-captioned can be found here.

I love everything about this episode, it is possibly my favourite of the full 35.

I love the argument about the virtue of poverty and the conclusion that this can easily be argued by those who are not poor, but only carries legitimacy from those who are – which calls to mind Marx and historically the great wealth of monasteries, the popes and established religion.

I love the hight of luxury being epitomised as a cloak made from the beards of giants – though personally I’d not find such an item psychologically comfortable.

Most of all I love the consoling words in the final section. I love them as a form of poetry and as a reassuring message. In this performance we were privileged to have an unexpected guest star who make her unscheduled appearance at an extraordinarily appropriate moment. If this doesn’t make you well up then you don’t need to be watching video adaptations about a book helping you avoid melancholy, you need to be seeking counciling for those who have lost their very soul.

The Commentators live from MoFo

Saturday, August 31st, 2019

The Commentators on Mixlr

It’s that time of year again – the cricket season is nearly over, the football season is well underway, suitcases are being unpacked, school bags are being repacked, leaves are beginning to turn, the nights are drawing in, there’s a chill in the evening air and from all over the world musicians and artists gather in a park in the heart of Birmingham to perform at the Moseley Folk and Arts Festival. The festival know that not everyone can attend in person and so again this year have hired the services of The Commentators who will be broadcasting live on Saturday and Sunday to bring you all the sights, sounds and picnic smells from the heart of the festival site.

It’s the perfect way to say goodbye to the summer…listen on the player above or click on the link to visit The Commentators mixlr page.

Recruiting a Re-lighter for The Capital

Wednesday, July 4th, 2018

We are recruiting a Re-lighter for the tour of our new show The Capital at the beginning of 2019.

Dates:
To be available for 2 days between 23 -27 October 2018 in Birmingham to learn
the show’s requirements from the lighting designer at Birmingham REP.

The production will undertake a UK tour for 2 or 3 weeks during the period 28 January to 17 February 2019; exact tour dates to be confirmed.

Deadline for Submissions: 24 July 2018 by 5pm

Read more about the requirements and how to apply below:

(more…)

The Commentators at Birmingham Weekender

Saturday, September 23rd, 2017

If you can’t be at Birmingham Weekender today you can listen live to The Commentators as they cover all the action from the Birmingham markets. They will bring you detailed coverage of the buying and selling of everything from carrots to dairy based products to mobile phone covers and be there to witness whatever other incidents a market Saturday might throw up.

Keep it here … The Commentators at Birmingham Weekender

Manual Crossfade

Wednesday, October 28th, 2015

Qlab-window-grab

So many things are possible now! In our earliest shows I directed and ran the lights and sound. The lighting was fun, choose which of twelve channels of light to have up at what level on the A Fader, then prep the next cue on the B Fader and when the moment came pull paired sliders down to cross-fade between the two, then reset the A Fader for Cue Number 3. To the side for the lighting desk two cassette players would sit one on top of the other with blobs of white insulation tape marking the play and stop buttons. (more…)

Edinburgh 2015

Friday, August 28th, 2015

mumsmug

The Edinburgh Festival / Fringe is an amazing brand. I can describe any number of impressive contracts Stan’s Cafe may have secured and people are generally unimpressed but mention you’re off to Edinburgh for the Fringe and their eyes light up. It doesn’t seem to matter that the only skill you need to be ‘on The Fringe’ is the ability to make a few phone calls and write a couple of cheques, as far as they are concerned you are going to participate in something they have actually heard of, that they know is big and which holds an excitement and romance for them. (more…)

Slot Together

Saturday, May 9th, 2015

slot-together-1

Proper Repertory Theatre, in which a mostly fixed group of actors take on a series of plays as a team in the same producing house for a season has pretty much died off in the UK. I believe the RSC still attempts to work in this way but it is an expensive way of approaching things and there are few that can attempt it. Clearly something similar continues with contemporary theatre companies which have a fairly stable set of actors. In these circumstances you look forward to seeing the same actors in fresh roles and settings, carrying with you memories of their previous performances. Unfortunately, because these companies tend to devise their own material and the actors tend to create that material you rarely see huge contrasts in these performances. One of the delicious side effect of repertory companies was to be able to watch someone who was The King last week relegated to be a Butler this week. Although the plays are different in repertory the ghosts of the actors previous roles still linger. (more…)

Research Opportunity

Wednesday, March 11th, 2015

academic-recruitAlong with our Partner Schools Network we are looking to engage a researcher who is interested in how schools are responding to the government requirement that schools promote British Values. We are about to do some work in schools with this as its focus and we’d like to have someone keep tabs on reflect on this activity from an independent perspective. You can download more details including how to apply here.

War or Peace?

Thursday, January 15th, 2015

NYC-getinAh it’s starting to feel like the olden days. The days when we made shows that sharply divided audiences (mostly for us) from critics (mostly against). (more…)

Access to Work

Saturday, November 1st, 2014

I’ve met Jenny Sealey a few times. She’s a powerhouse; funny, clever, passionate and a great artist. She is Artistic Director of Graeae Theatre Company and co-Directed the Paralympics opening ceremony for London 2012. In order to share her great vision she relies upon British Sign Language translation and this is made possible through an Access to Work grant. (more…)


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